This piece is deeply inspired by Sofia Coppola's haunting 1999 film, The Virgin Suicides, which intricately examines the themes of mental instability and the relentless male gaze fixated on the bodies of young girls, particularly represented by the fictional Lisbon sisters. The readymade objects serve as poignant symbols of the turmoil and chaos often associated with depression. A large pastel drawing showcases delicate pastel pinks, echoing the film's ethereal aesthetic while simultaneously warping images of women sourced from pornographic photographs. These images capture the carefully curated poses intended for the male gaze, creating a jarring contrast between beauty and the underlying psychological struggle.